1 00:00:00,000 --> 00:00:13,000 The story you are about to hear is true. Only the names have been changed to protect the innocent. 2 00:00:13,000 --> 00:00:19,000 Fatima cigarettes, best of all long cigarettes, brings you dragnet. 3 00:00:19,000 --> 00:00:30,000 You're a detective sergeant. You're assigned the homicide detail. 4 00:00:30,000 --> 00:00:36,000 A man crouches on the window ledge of a downtown building 13 stories above the street. 5 00:00:36,000 --> 00:00:41,000 He threatens to leap to his death within the hour. Your job, stop him. 6 00:00:41,000 --> 00:00:49,000 You'll be amazed when you compare Fatima with other long cigarettes. 7 00:00:49,000 --> 00:00:54,000 You'll find they now cost the same. But in Fatima, the difference is quality. 8 00:00:54,000 --> 00:01:02,000 You see, Fatima is the quality king-size cigarette because it contains the finest Turkish and domestic tobacco superbly blended. 9 00:01:02,000 --> 00:01:10,000 And Fatima is extra mild with a much different, much better flavor and aroma than any other long cigarette. 10 00:01:10,000 --> 00:01:18,000 So compare Fatima yourself. Fatima's now cost the same as other long cigarettes, but your first puff will tell you. 11 00:01:18,000 --> 00:01:20,000 Ah, that's different. 12 00:01:20,000 --> 00:01:28,000 Yes, in Fatima, the difference is quality. Ask your dealer for Fatima, the quality king-size cigarette. 13 00:01:28,000 --> 00:01:35,000 Best of all long cigarettes. Start enjoying Fatima for a new year of greater smoking enjoyment. 14 00:01:35,000 --> 00:01:44,000 Dragnet, the documentary drama of an actual crime. 15 00:01:44,000 --> 00:01:48,000 For the next 30 minutes in cooperation with the Los Angeles Police Department, 16 00:01:48,000 --> 00:01:54,000 you will travel step by step on the side of the law through an actual case transcribed from official police files. 17 00:01:54,000 --> 00:02:03,000 From beginning to end, from crime to punishment, Dragnet is the story of your police force in action. 18 00:02:03,000 --> 00:02:09,000 It was Thursday, September 6th. It was warm in Los Angeles. We were working the day watch out of homicide detail. 19 00:02:09,000 --> 00:02:13,000 My partner's Ben Romero. The boss is Captain Steed. My name's Friday. 20 00:02:13,000 --> 00:02:18,000 I was on the way back from communications and it was 1.28 p.m. when I got to room 42. 21 00:02:18,000 --> 00:02:21,000 Homicide. 22 00:02:21,000 --> 00:02:23,000 You ready, Skipper? 23 00:02:23,000 --> 00:02:24,000 Yeah, coming. 24 00:02:24,000 --> 00:02:25,000 Ben, what's up? 25 00:02:25,000 --> 00:02:27,000 Just got the call, 3rd and Temple. 26 00:02:27,000 --> 00:02:28,000 Yeah? 27 00:02:28,000 --> 00:02:30,000 Fitzroy building, 13th floor. They got a jumper. 28 00:02:30,000 --> 00:02:32,000 All righty, Ben. 29 00:02:32,000 --> 00:02:33,000 Let's hustle it. 30 00:02:33,000 --> 00:02:37,000 All right. 31 00:02:37,000 --> 00:02:38,000 What's the story? 32 00:02:38,000 --> 00:02:39,000 Skipper took the call. 33 00:02:39,000 --> 00:02:43,000 Not much to tell. Guy's perched out on a window ledge, 13 floors up, threatening to jump. 34 00:02:43,000 --> 00:02:44,000 Yeah? 35 00:02:44,000 --> 00:02:46,000 What time you got Romero? 36 00:02:46,000 --> 00:02:47,000 1.33. 37 00:02:47,000 --> 00:02:48,000 Not much time. 38 00:02:48,000 --> 00:02:49,000 What? 39 00:02:49,000 --> 00:02:51,000 The guy on the ledge you served notice. 40 00:02:51,000 --> 00:02:52,000 Well, how do you mean? 41 00:02:52,000 --> 00:02:57,000 Says he's gonna jump at 2 o'clock. 42 00:02:57,000 --> 00:03:02,000 1.36 p.m. Ben pulled a car to a stop at 3rd and Temple, with double park near the intersection, 43 00:03:02,000 --> 00:03:05,000 and started to cross the street to the building on the northeast corner. 44 00:03:05,000 --> 00:03:09,000 It was a steel-framed structure with a block granite facing. 45 00:03:09,000 --> 00:03:14,000 The stone lettering over the main entrance read, R.H. Fitzroy building, 1927. 46 00:03:14,000 --> 00:03:17,000 The immediate area had been blocked off in all directions. 47 00:03:17,000 --> 00:03:24,000 The sidewalks directly adjacent to the building on 3rd Street and on Temple Street had also been cleared of all pedestrian traffic. 48 00:03:24,000 --> 00:03:29,000 Hundreds of curious onlookers jammed against police lines at the far side of the intersection. 49 00:03:29,000 --> 00:03:35,000 Reaching back for a full block in either direction, hundreds more had packed in behind them. 50 00:03:35,000 --> 00:03:38,000 Thirteen stories above the pavement was the center of attraction, 51 00:03:38,000 --> 00:03:43,000 the figure of a man standing upright on a narrow ledge, looking down at the crowd. 52 00:03:43,000 --> 00:03:48,000 On the street directly below him, men from the fire department's rescue squad were hurriedly stretching out nets. 53 00:03:48,000 --> 00:03:51,000 We entered the building, took the elevator to the 13th floor. 54 00:03:51,000 --> 00:03:53,000 Who's standing by up here, Skipper? 55 00:03:53,000 --> 00:03:57,000 Bechtel and Wiseman. They saw the crowd gathering in the street and they went back for lunch. 56 00:03:57,000 --> 00:03:59,000 Looked up and saw a guy on the edge that came right up. 57 00:03:59,000 --> 00:04:00,000 How long has the guy been standing out there? 58 00:04:00,000 --> 00:04:01,000 About 15 minutes. 59 00:04:01,000 --> 00:04:04,000 Sure is one little crowd. Must be a couple thousand people down there. 60 00:04:04,000 --> 00:04:06,000 Yeah. 61 00:04:12,000 --> 00:04:14,000 What was that room number, Friday? 62 00:04:14,000 --> 00:04:18,000 1305. Yeah, it's down this way. 63 00:04:18,000 --> 00:04:19,000 There's Beck book. 64 00:04:19,000 --> 00:04:20,000 Beck? 65 00:04:20,000 --> 00:04:21,000 Hi. 66 00:04:21,000 --> 00:04:23,000 I was just searching for you. 67 00:04:23,000 --> 00:04:24,000 The office is down here. 68 00:04:24,000 --> 00:04:25,000 Okay. 69 00:04:25,000 --> 00:04:26,000 How's it stand now? 70 00:04:26,000 --> 00:04:29,000 Still out there, ready to jump. We got 22 minutes to figure out how to stop him. 71 00:04:29,000 --> 00:04:30,000 What's the story anyway? 72 00:04:30,000 --> 00:04:32,000 I'll let the doctor tell you. 73 00:04:32,000 --> 00:04:35,000 Go ahead. 74 00:04:35,000 --> 00:04:40,000 Through here. 75 00:04:40,000 --> 00:04:42,000 Nurse, where'd Dr. Turner go? 76 00:04:42,000 --> 00:04:44,000 He was out to meet Dr. Rice. He's bringing him right up. 77 00:04:44,000 --> 00:04:46,000 This is Captain Steed, homicide in the Flanahan. 78 00:04:46,000 --> 00:04:47,000 How do you do? 79 00:04:47,000 --> 00:04:48,000 How's your Friday, Romero? 80 00:04:48,000 --> 00:04:49,000 How do you do? 81 00:04:49,000 --> 00:04:50,000 How are you? 82 00:04:50,000 --> 00:04:52,000 Well, he climbed outside this window here. 83 00:04:52,000 --> 00:04:56,000 Yeah. Right now he's standing on the ledge about 12 feet to the right of the window. 84 00:04:56,000 --> 00:04:58,000 The ledge is about 14 inches wide. 85 00:04:58,000 --> 00:04:59,000 No other windows closer to him? 86 00:04:59,000 --> 00:05:00,000 No, this is it. 87 00:05:00,000 --> 00:05:02,000 Did you try to talk him out of it, get him back inside? 88 00:05:02,000 --> 00:05:06,000 We took a turn at it, yeah. Wiseman crawled out on the ledge, talked to him, so did I. 89 00:05:06,000 --> 00:05:08,000 One of the queerest jumpers I've come across. 90 00:05:08,000 --> 00:05:09,000 What do you mean? 91 00:05:09,000 --> 00:05:11,000 He's got a hammer with him, a carpenter's hammer. 92 00:05:11,000 --> 00:05:13,000 Whenever you get close to him, he takes a cut at you. 93 00:05:13,000 --> 00:05:16,000 Wiseman wasn't looking for it. Had a duck fast. He almost went over it. 94 00:05:16,000 --> 00:05:18,000 Was there any other way to reach him? 95 00:05:18,000 --> 00:05:20,000 We checked the whole layout. This window's the closest. 96 00:05:20,000 --> 00:05:22,000 What about lowering a man from the roof? 97 00:05:22,000 --> 00:05:24,000 A wide piece of cord is up there, a big overhang. 98 00:05:24,000 --> 00:05:27,000 Put a man down on a rope and he'd be hanging three feet from the side of the building. 99 00:05:27,000 --> 00:05:29,000 Wouldn't come close to the guy. 100 00:05:29,000 --> 00:05:31,000 How about this doctor you mentioned, Beck? You figure he can help? 101 00:05:31,000 --> 00:05:33,000 It's worth a try. Miss Lennan? 102 00:05:33,000 --> 00:05:34,000 Yes, Sergeant. 103 00:05:34,000 --> 00:05:37,000 You saw it happen. You know better than I do what Dr. Turner's idea is. 104 00:05:37,000 --> 00:05:39,000 Would you fill these men in, please? Make it brief. 105 00:05:39,000 --> 00:05:40,000 Surely. 106 00:05:40,000 --> 00:05:42,000 Another man on the ledge. Who is he, do you know? 107 00:05:42,000 --> 00:05:45,000 Walter Harrison, Miss Dane. He's one of the doctor's patients. 108 00:05:45,000 --> 00:05:48,000 His sister brought him in for a routine checkup. That was about one o'clock. 109 00:05:48,000 --> 00:05:49,000 How old was the man? 110 00:05:49,000 --> 00:05:53,000 Forty-one. His sister told us he's been complaining of a backache lately. 111 00:05:53,000 --> 00:05:56,000 While the doctor was examining him, and Mr. Harrison flew up all of a sudden. 112 00:05:56,000 --> 00:05:59,000 He yelled out we were trying to cripple him, that we wanted to kill him. 113 00:05:59,000 --> 00:06:00,000 Oh, excuse me, please. 114 00:06:00,000 --> 00:06:01,000 Sure. 115 00:06:01,000 --> 00:06:03,000 Dr. Turner's office. 116 00:06:03,000 --> 00:06:06,000 No, I'm sorry. Not this afternoon. We have an awful lot of trouble. 117 00:06:06,000 --> 00:06:08,000 Yes, all right, Dancer. 118 00:06:08,000 --> 00:06:11,000 Well, what happened after Harrison started to act up, Miss Lennan? 119 00:06:11,000 --> 00:06:14,000 Dr. Turner and I tried to hold him. He shoved us both out of the way. 120 00:06:14,000 --> 00:06:18,000 He hit the doctor in the face, then he ran to the window, got out on that ledge, 121 00:06:18,000 --> 00:06:20,000 and crawled along the side of the building. He's been there ever since. 122 00:06:20,000 --> 00:06:22,000 Miss Harrison has a mental case? 123 00:06:22,000 --> 00:06:24,000 Yes, he's been for ten years. 124 00:06:24,000 --> 00:06:27,000 Been in and out of the state hospital at Camillo a couple of times. 125 00:06:27,000 --> 00:06:30,000 Sister Ruth's been taking care of him. She was here when it happened. 126 00:06:30,000 --> 00:06:31,000 Where is she now? 127 00:06:31,000 --> 00:06:33,000 Next door, the treatment room. Thelma, that's the other nurse. 128 00:06:33,000 --> 00:06:36,000 She's looking after Miss Harrison. She's pretty close to hysteric. 129 00:06:36,000 --> 00:06:39,000 Tried to talk to her, Skipper. Not much help so far. 130 00:06:39,000 --> 00:06:41,000 You say the doctor's been treating this, Mr. Harrison? 131 00:06:41,000 --> 00:06:45,000 No, he just came in for a physical checkup. Dr. Reich's been handling his mental condition. 132 00:06:45,000 --> 00:06:49,000 That's where Dr. Turner is now getting Reich. He has his office in the next building. 133 00:06:49,000 --> 00:06:51,000 What time you got, Ben? 134 00:06:51,000 --> 00:06:52,000 Hmm. 135 00:06:52,000 --> 00:06:53,000 Getting short. Nineteen minutes to two. 136 00:06:53,000 --> 00:06:57,000 How about a time element, Beck? If he's going to kill himself, why is he waiting for two o'clock to do it? 137 00:06:57,000 --> 00:07:00,000 He's got me. He scribbled a note out there, threw it down to the street. 138 00:07:00,000 --> 00:07:03,000 One of the men in the rescue squad grabbed it and brought it up. I got it right here. 139 00:07:03,000 --> 00:07:06,000 Here, let me see. Can I look at that, Dancer? 140 00:07:06,000 --> 00:07:08,000 Mm-hmm. 141 00:07:08,000 --> 00:07:12,000 They want my life. They want... What's his next one? 142 00:07:12,000 --> 00:07:14,000 Dead. Dead. They want me dead. 143 00:07:14,000 --> 00:07:15,000 Oh, okay. 144 00:07:15,000 --> 00:07:19,000 I'd like to pray first. I'll jump at two o'clock. 145 00:07:19,000 --> 00:07:22,000 What's this last thing, Ben? I can't remember. 146 00:07:22,000 --> 00:07:28,000 Let me see. At two o'clock, don't touch my body. That's it. Don't touch my body. 147 00:07:28,000 --> 00:07:31,000 You saw the guy at close range. Beck, what do you think? He's serious. 148 00:07:31,000 --> 00:07:33,000 I don't know. I'm not even going to guess. 149 00:07:33,000 --> 00:07:36,000 How about me going out and talking to Skipper? It might work. He won't do any harm. 150 00:07:36,000 --> 00:07:40,000 That ledge is 14 inches wide, Romero. If you slip, I don't want to explain it to your wife and kid. 151 00:07:40,000 --> 00:07:43,000 Well, how about me giving it a try? That jumper case last October, I was on that one. 152 00:07:43,000 --> 00:07:46,000 It's volunteer duty, Joe. I'm not going to order you. You know the recipe. 153 00:07:46,000 --> 00:07:49,000 Yeah, I'll watch it. You want to stand by here at the window, Ben? 154 00:07:49,000 --> 00:07:50,000 Yeah, okay. 155 00:07:50,000 --> 00:07:52,000 Let's get that window off, huh? 156 00:07:52,000 --> 00:07:54,000 There's blinds. 157 00:07:54,000 --> 00:07:55,000 Yeah. 158 00:07:55,000 --> 00:07:58,000 There's blinds, huh? Okay. 159 00:07:58,000 --> 00:07:59,000 Give me a hand with the window. 160 00:07:59,000 --> 00:08:01,000 All right. Come on. Up she goes. 161 00:08:01,000 --> 00:08:02,000 I'm stuck. 162 00:08:02,000 --> 00:08:04,000 Yeah, I did. 163 00:08:04,000 --> 00:08:06,000 All the way up, huh? There he goes. 164 00:08:06,000 --> 00:08:08,000 Okay. 165 00:08:08,000 --> 00:08:09,000 Be careful now, huh? 166 00:08:09,000 --> 00:08:10,000 Yeah, I will, Joe. 167 00:08:10,000 --> 00:08:11,000 Yeah, Beck. 168 00:08:11,000 --> 00:08:14,000 Don't forget about that hammer the guy's got. It's just my guess. 169 00:08:14,000 --> 00:08:15,000 Yeah, what's that? 170 00:08:15,000 --> 00:08:18,000 The guy might want to die. I don't think he wants to do it alone. 171 00:08:21,000 --> 00:08:28,000 1.43 p.m. If we could take Walter Harrison's word for it, we had exactly 17 minutes to talk him into a change of mind 172 00:08:28,000 --> 00:08:31,000 before he plunged to his death on the pavement 13 stories below. 173 00:08:31,000 --> 00:08:35,000 I crawled out of the window and started inching my way along the narrow ledge. 174 00:08:35,000 --> 00:08:39,000 Went slow. I kept my eyes on Harrison. 175 00:08:39,000 --> 00:08:43,000 He stood about 10 feet away from me, looking down at the crowds jamming the streets below. 176 00:08:43,000 --> 00:08:48,000 I edged along to within 8 feet of him. He didn't seem to notice me. 177 00:08:48,000 --> 00:08:52,000 He was a fairly tall man, about 5 foot 10, medium bill, dark hair. 178 00:08:52,000 --> 00:08:57,000 He was wearing gray pinstripe trousers, a white shirt, no coat, no necktie. 179 00:08:57,000 --> 00:08:59,000 I got to within 6 feet of him. 180 00:08:59,000 --> 00:09:03,000 He raised one arm and made a motion with his fist at the crowd below. 181 00:09:03,000 --> 00:09:10,000 You animal! You dirty bag of animal! You won't touch me! I'll jump right through you! 182 00:09:10,000 --> 00:09:12,000 You won't even touch me! 183 00:09:12,000 --> 00:09:17,000 I kept edging toward him. He still didn't seem to notice me. 184 00:09:17,000 --> 00:09:20,000 I turned his body a little. 185 00:09:20,000 --> 00:09:23,000 I kept pounding the side of the building with a hammer. 186 00:09:23,000 --> 00:09:25,000 I got a look at his right hand. 187 00:09:25,000 --> 00:09:29,000 He held the carpenter's hammer. 188 00:09:29,000 --> 00:09:31,000 I got to within 5 feet of him. 189 00:09:31,000 --> 00:09:34,000 An airliner passed overhead. 190 00:09:34,000 --> 00:09:39,000 Harrison looked up and muttered something, then he turned and saw me. 191 00:09:39,000 --> 00:09:41,000 I'm going to kill you. 192 00:09:41,000 --> 00:09:46,000 It's all right with me, Walter. Why do you want to kill yourself? You're only going to hurt people. 193 00:09:46,000 --> 00:09:50,000 You don't care about people. You don't care about me. 194 00:09:50,000 --> 00:09:52,000 What am I doing out here? 195 00:09:52,000 --> 00:09:55,000 You got it wrong, Walter. A lot of people care about you. 196 00:09:55,000 --> 00:09:57,000 They want you back inside. They want you where it's safe. 197 00:09:57,000 --> 00:10:02,000 You're another one of those. You want to get your hands on me. You want a gun. 198 00:10:02,000 --> 00:10:05,000 Well, you're not. I'm going to kill you. 199 00:10:05,000 --> 00:10:09,000 It's all right, Walter. You can kill me. I want to help you first. 200 00:10:09,000 --> 00:10:10,000 You stay back! 201 00:10:10,000 --> 00:10:15,000 Don't you move anymore. I got this hammer and I'll smash your face with it. I'll smash you! 202 00:10:15,000 --> 00:10:18,000 I only want to talk to you. I know we can straighten this out. 203 00:10:18,000 --> 00:10:20,000 I'll do it my way. You understand? 204 00:10:20,000 --> 00:10:26,000 My way? I know who you are. You've been after me before. I know what it's all about. 205 00:10:26,000 --> 00:10:28,000 Yeah, I know you do, Walter, but you got it wrong. 206 00:10:28,000 --> 00:10:31,000 Now look, you're going to jump off this building at two o'clock. That's in 15 minutes. 207 00:10:31,000 --> 00:10:34,000 That's right. You bet I am. 208 00:10:34,000 --> 00:10:37,000 All right, now let's talk it over for five of those minutes, huh? 209 00:10:37,000 --> 00:10:42,000 Can't do any harm. I'm not going to hurt you. How about it? Okay? 210 00:10:42,000 --> 00:10:44,000 Why should I talk to you? 211 00:10:44,000 --> 00:10:48,000 Because I care about what happens to you. So does your sister. So do a lot of people. 212 00:10:48,000 --> 00:10:52,000 And you're like a lot of people. You're going to want to get your hands on them. 213 00:10:52,000 --> 00:10:56,000 Like those animals down there, the whole dirty pack of them. 214 00:10:56,000 --> 00:11:00,000 They want to grab on them, get all around close and put their hands on me. 215 00:11:00,000 --> 00:11:02,000 Well, they're not going to do it. 216 00:11:02,000 --> 00:11:05,000 Of course they're not. Nobody's going to hurt you. You know that, don't you? 217 00:11:05,000 --> 00:11:07,000 You bet your life they're not. 218 00:11:07,000 --> 00:11:10,000 You see that dirty pack down there? 219 00:11:10,000 --> 00:11:13,000 Well, they don't know it, but I'm going to jump right through them. 220 00:11:13,000 --> 00:11:16,000 I'm going to jump right through all of them. 221 00:11:16,000 --> 00:11:18,000 They won't even touch me and I can do it right now. 222 00:11:18,000 --> 00:11:21,000 Wait a minute, Walter. Don't forget your promise. 223 00:11:21,000 --> 00:11:23,000 What are you talking about? What promise? 224 00:11:23,000 --> 00:11:25,000 Two o'clock. You wrote that down yourself. 225 00:11:25,000 --> 00:11:27,000 You said you wouldn't jump until it was two o'clock. 226 00:11:27,000 --> 00:11:32,000 That was no promise. I just wrote it down. That's all. Just two o'clock. 227 00:11:32,000 --> 00:11:36,000 Yeah. Well, your sister believed it. We gave her the note. 228 00:11:36,000 --> 00:11:39,000 She says it's your promise. Now, are you going to make a liar out of yourself? 229 00:11:39,000 --> 00:11:44,000 You're the liar. Ruth didn't say that. She didn't say it was a promise. 230 00:11:44,000 --> 00:11:47,000 You got to take my word for that. 231 00:11:47,000 --> 00:11:51,000 All right. Let's go in and ask her. How about it? 232 00:11:51,000 --> 00:11:53,000 See Ruth inside? 233 00:11:53,000 --> 00:11:57,000 Sure. Come on. Come on. Take my hand, Walter. 234 00:11:57,000 --> 00:12:01,000 All right. All right. I'll take your hand. 235 00:12:01,000 --> 00:12:03,000 Watch your step. Look out, will you? 236 00:12:03,000 --> 00:12:05,000 You get back there. Get back. 237 00:12:05,000 --> 00:12:08,000 Now, next time I won't miss. I'll smash you whole hard. 238 00:12:08,000 --> 00:12:11,000 You think you're pretty smart, don't you? You're trying to trick me. 239 00:12:11,000 --> 00:12:16,000 I told you before, I know who you are. You're trying to get your hands on me. 240 00:12:16,000 --> 00:12:20,000 You promised your sister two o'clock. You're still going to break that promise? 241 00:12:20,000 --> 00:12:24,000 I'm not like you in that sack down there. I don't break promises. 242 00:12:24,000 --> 00:12:27,000 Everybody knows that, Walter. They trust you. 243 00:12:27,000 --> 00:12:31,000 Now, come on. How about talking this thing out? 244 00:12:31,000 --> 00:12:33,000 What time is it? 245 00:12:33,000 --> 00:12:36,000 One forty-six. Fourteen minutes to go. 246 00:12:36,000 --> 00:12:40,000 You're lying. How do I know that's the time? 247 00:12:40,000 --> 00:12:42,000 You can look at my watch. Here. Right here. 248 00:12:42,000 --> 00:12:45,000 You stand back. I told you before. 249 00:12:45,000 --> 00:12:46,000 You stay away from me. 250 00:12:46,000 --> 00:12:49,000 I just wanted to show you the time, that's all. 251 00:12:49,000 --> 00:12:52,000 All right. You can look at that big clock up the street, see? 252 00:12:52,000 --> 00:12:56,000 The one on the side of the Hobart building up there? 253 00:12:56,000 --> 00:12:58,000 Fourteen minutes. 254 00:12:58,000 --> 00:13:02,000 How do I know that's right? How do I know they're not in with you two? 255 00:13:02,000 --> 00:13:07,000 You already said it, big company. They don't care about you or me. 256 00:13:07,000 --> 00:13:11,000 They got a business to run. Is there a clock? They don't care what happens. 257 00:13:11,000 --> 00:13:15,000 No. No, of course not. They don't care. 258 00:13:15,000 --> 00:13:18,000 All right. Well, I'll just keep an eye on this clock. 259 00:13:18,000 --> 00:13:23,000 All right. You don't mind if I talk while you wait, do you? 260 00:13:23,000 --> 00:13:27,000 What's that plane doing up there? 261 00:13:27,000 --> 00:13:30,000 Oh, it's just an airliner. Probably on its way into Burbank. 262 00:13:30,000 --> 00:13:34,000 You're not fooling me. That plane's been by before. It's flying low, too. 263 00:13:34,000 --> 00:13:38,000 Yeah. I guess I didn't notice it. Well, what difference does it make? 264 00:13:38,000 --> 00:13:42,000 Probably watch it, flying back and forth. 265 00:13:42,000 --> 00:13:47,000 Maybe they're the police. They're trying to do something. They're trying to get their hands on me. 266 00:13:47,000 --> 00:13:52,000 Well, let's see. Yeah. Might be their plane. It's a big one. 267 00:13:52,000 --> 00:13:59,000 Sure. Sure, they're trying to do something, coming right by here, flying low. 268 00:13:59,000 --> 00:14:03,000 It's the same one. I can see. 269 00:14:03,000 --> 00:14:05,000 Look. 270 00:14:05,000 --> 00:14:08,000 Do you see there on the wing? Yeah, what's that? 271 00:14:08,000 --> 00:14:12,000 The number right there on the wing. It's the same one that's passed over a few minutes ago. 272 00:14:12,000 --> 00:14:14,000 Will you get away from me? All right, Walter. Give me that. 273 00:14:14,000 --> 00:14:16,000 Give it to me. 274 00:14:16,000 --> 00:14:19,000 You're backstabbing me, Walter. 275 00:14:19,000 --> 00:14:24,000 You thought you tricked me. You didn't know I had my pocket knife. 276 00:14:24,000 --> 00:14:27,000 Well, I can kill you with it now. I can kill you right now. 277 00:14:27,000 --> 00:14:31,000 Yeah. I told you before, it's all right with me. 278 00:14:31,000 --> 00:14:33,000 Just look out there. Watch your step on the ledge, will you? 279 00:14:33,000 --> 00:14:41,000 I should have cut your hand off. I should have cut your whole arm off and thrown it to those animals down there. 280 00:14:41,000 --> 00:14:44,000 Look at that blood all over your hand. 281 00:14:44,000 --> 00:14:47,000 Well, I'm sorry, Walter. It's not your fault. 282 00:14:47,000 --> 00:14:50,000 I just wanted to talk the whole thing over to tell you how your sister feels about it. 283 00:14:50,000 --> 00:14:56,000 You're a liar. I knew it when I looked at you. Now you get away. You get away before I kill you. 284 00:14:56,000 --> 00:15:00,000 Look, there's only one thing I can tell you. Your sister Ruth's sitting inside there and she's worried sick. 285 00:15:00,000 --> 00:15:03,000 She's waiting for you. She wants to take you home. 286 00:15:03,000 --> 00:15:08,000 Now how about it? There's no reason for always. You know that, don't you? 287 00:15:08,000 --> 00:15:09,000 Do I? 288 00:15:09,000 --> 00:15:14,000 Sure you do. Your sister and your family, they care about you. They want you home again. They want you with them. 289 00:15:14,000 --> 00:15:17,000 There's no reason to be standing out here now, is there? 290 00:15:17,000 --> 00:15:19,000 You wait until two o'clock, mister. 291 00:15:19,000 --> 00:15:20,000 Yeah. 292 00:15:20,000 --> 00:15:22,000 I'll show you the reason. 293 00:15:24,000 --> 00:15:27,000 One forty eight p.m. Twelve minutes left. 294 00:15:27,000 --> 00:15:30,000 I made my way along the ledge, through the window, back into the office. 295 00:15:30,000 --> 00:15:36,000 Dr. Wright, a man who'd been treating Walter Harrison for his mental sickness, was already there with Dr. Turner. 296 00:15:36,000 --> 00:15:40,000 While the nurse bandaged up my hand, Captain Steed, Ben and I talked with him. 297 00:15:42,000 --> 00:15:49,000 I've treated Harrison for ten years, on and off, I guess. He showed some improvement. Not much definite paranoid tendencies. 298 00:15:49,000 --> 00:15:51,000 Did he ever try this before, Dr. Wright? 299 00:15:51,000 --> 00:15:53,000 Not to my knowledge. His sister might tell you more. 300 00:15:53,000 --> 00:15:58,000 I really don't know what to advise you to do. He's never been this violent before, using a hammer and a knife. 301 00:15:58,000 --> 00:16:00,000 There you are, sir. I think that's you all right? 302 00:16:00,000 --> 00:16:01,000 Yeah, that's fine. Thank you. 303 00:16:01,000 --> 00:16:06,000 There's only one thing I've got to know, doctor. Is it worth letting another one of my men go out there on that ledge? 304 00:16:06,000 --> 00:16:12,000 I'm afraid that's your decision, Captain. It may help, it may not. I know the patient, but I can't read his mind. 305 00:16:12,000 --> 00:16:18,000 I was just thinking, we might bring Harrison's sister to the window and have her talks on. Think that might help, doctor? 306 00:16:18,000 --> 00:16:22,000 Very possible it might. In a spot like this, I'm in the same boat you are. It's all guesswork. 307 00:16:22,000 --> 00:16:25,000 You think Harrison's really going to be ready to jump at two o'clock, doctor? 308 00:16:25,000 --> 00:16:28,000 From what Sergeant Friday tells me, yes, I think he'll jump. 309 00:16:28,000 --> 00:16:33,000 We've got to come up with something. We can't just stand around and watch a guy take a dive down 13 story. 310 00:16:33,000 --> 00:16:34,000 I wish I knew the answer. 311 00:16:34,000 --> 00:16:37,000 There's got to be one someplace. There's got to be an answer. 312 00:16:37,000 --> 00:16:40,000 Well, let's check your watch. We've got ten minutes to find it. 313 00:16:40,000 --> 00:16:55,000 You are listening to Dragnet, authentic stories of your police force in action. 314 00:16:55,000 --> 00:16:59,000 And now here's an authentic report from Fatima cigarettes. 315 00:16:59,000 --> 00:17:13,000 In 1949, Fatima more than doubled its smokers coast to coast. 1950, another record-breaking year with more long cigarette smokers insisting on Fatima quality than ever before. 316 00:17:13,000 --> 00:17:17,000 In 1951, enjoy Fatima quality yourself. 317 00:17:17,000 --> 00:17:21,000 Yes, friends, in Fatima, the difference is quality. 318 00:17:21,000 --> 00:17:31,000 Quality of tobacco, the finest Turkish and domestic varieties, extra mild and superbly blended to give you a much different, much better flavor and aroma. 319 00:17:31,000 --> 00:17:37,000 Quality of manufacture, smooth plump cigarettes rolled in the finest paper money can buy. 320 00:17:37,000 --> 00:17:47,000 Quality, even to the appearance of the bright, clean, golden yellow package, carefully wrapped and sealed to bring you Fatima's rich, fresh, extra mild flavor. 321 00:17:47,000 --> 00:17:57,000 Compare Fatima yourself. Fatima's now cost the same as other long cigarettes, but your first puff will tell you, ah, that's different. 322 00:17:57,000 --> 00:18:01,000 Yes, in Fatima, the difference is quality. 323 00:18:01,000 --> 00:18:05,000 Start enjoying Fatima for a new year of greater smoking enjoyment. 324 00:18:05,000 --> 00:18:10,000 Insist on Fatima, the quality king-size cigarette. 325 00:18:10,000 --> 00:18:20,000 Best of all, long cigarettes. 326 00:18:20,000 --> 00:18:25,000 It's the sworn duty of the peace officer to protect the lives of the citizens of the community in which he serves. 327 00:18:25,000 --> 00:18:29,000 That isn't always limited to protecting the citizens from criminals and lawbreakers. 328 00:18:29,000 --> 00:18:33,000 Oftentimes, the citizen has to be protected from himself. 329 00:18:33,000 --> 00:18:37,000 The drunken driver can do as much harm to his own person as he can to others. 330 00:18:37,000 --> 00:18:42,000 The same for the narcotic addict, the same for mental incompetence such as Walter Harrison. 331 00:18:42,000 --> 00:18:48,000 If he was being assaulted, robbed, or shot at by a gunman, it would have been no more serious. 332 00:18:48,000 --> 00:18:53,000 Harrison's life was in jeopardy. Trying to save him had to be the first consideration. 333 00:18:53,000 --> 00:19:02,000 One fifty p.m. Sergeant Jack Wiseman inched his way out on the ledge of the thirteenth story and kept Walter Harrison busy talking, anything to keep his mind off the jump. 334 00:19:02,000 --> 00:19:13,000 Captain Steed got on the phone and talked to the manager of the Hobart building, a twelve-story structure three blocks away with a large clock set into either side of it, the same clock Harrison was keeping time by. 335 00:19:13,000 --> 00:19:16,000 Yeah, that's right, just so you don't make it look too obvious. 336 00:19:16,000 --> 00:19:19,000 Okay, Mr. Walsh, thank you. 337 00:19:19,000 --> 00:19:21,000 I'm going to do all I can. Let's hope it works. 338 00:19:21,000 --> 00:19:22,000 Yeah, what do you say? 339 00:19:22,000 --> 00:19:27,000 They're going to start slowing down the clock in the building right away. If Harrison goes by that time, it's going to be a long ten minutes. 340 00:19:27,000 --> 00:19:29,000 Well, how much they figure they can stretch it? 341 00:19:29,000 --> 00:19:32,000 About five or six minutes without making it look too obvious. 342 00:19:32,000 --> 00:19:34,000 We can sure use it. Let's hope Harrison doesn't catch on. 343 00:19:34,000 --> 00:19:39,000 Manager said they'll stop the clock when it's a minute to go. It'll never reach two o'clock. 344 00:19:39,000 --> 00:19:40,000 Skipper. 345 00:19:40,000 --> 00:19:41,000 Yeah, Merrill. 346 00:19:41,000 --> 00:19:44,000 I just checked with the rescue squad down the street. They're stringing out more nets. 347 00:19:44,000 --> 00:19:45,000 Well? 348 00:19:45,000 --> 00:19:46,000 They're not guaranteeing anything. 349 00:19:46,000 --> 00:19:47,000 How do you mean? 350 00:19:47,000 --> 00:19:57,000 They're worried about those ledges jutting up from the building every other floor. They say if Harrison jumps close enough, he's bound to hit one of them. If he does, he'll be dead before he reaches street level. Nets down there won't do him any good. 351 00:19:57,000 --> 00:20:00,000 Well, nothing we can do about it. Something else we'll have to hand over to Locke. 352 00:20:00,000 --> 00:20:02,000 Have they come up with any ideas, Ben? 353 00:20:02,000 --> 00:20:04,000 Just one. Sounds like it could work. 354 00:20:04,000 --> 00:20:05,000 What's that? 355 00:20:05,000 --> 00:20:10,000 They figured like we did. The overhang on the roof is too wide to lower a man directly down on top of Harrison to grab him. 356 00:20:10,000 --> 00:20:11,000 Yeah? 357 00:20:11,000 --> 00:20:22,000 They think it might work if they try this. Put a man in a rope sling just over the edge of the roof. Lower him down toward Harrison as close as possible without death. Give him a good line. Let him try to rope Harrison. 358 00:20:22,000 --> 00:20:24,000 I don't know. 359 00:20:24,000 --> 00:20:25,000 Have they got any candidates to try it? 360 00:20:25,000 --> 00:20:29,000 Yeah, Warren. That guy's been on the rescue squad for years. Supposed to be an expert with a lasso. 361 00:20:29,000 --> 00:20:30,000 Captain? 362 00:20:30,000 --> 00:20:32,000 No, might do it. I don't know. 363 00:20:32,000 --> 00:20:34,000 Yeah. What happens if he misses Harrison? 364 00:20:34,000 --> 00:20:36,000 Who knows? What happens if Harrison jumps? 365 00:20:36,000 --> 00:20:37,000 Captain? 366 00:20:37,000 --> 00:20:40,000 I just got off that ledge in a hurry. He came at me with that knife. 367 00:20:40,000 --> 00:20:41,000 Is he any closer to the window? 368 00:20:41,000 --> 00:20:44,000 He backed off again. Something else. That clock in the Hobart building. 369 00:20:44,000 --> 00:20:45,000 Yeah. 370 00:20:45,000 --> 00:20:47,000 Pretty sure he's wise to that gimmick. He's given it up. 371 00:20:47,000 --> 00:20:48,000 What do you mean? 372 00:20:48,000 --> 00:20:50,000 The two o'clock deadline. He's not going to wait for it. 373 00:20:50,000 --> 00:21:01,000 One fifty-five p.m. A specially equipped police car with loudspeakers mounted on the roof was rushed to the intersection of 3rd and Temple Streets opposite the Fitzroy building. 374 00:21:01,000 --> 00:21:06,000 Sergeant Jack Wiseman took Walter Harrison's sister Ruth down on the elevator to the street. 375 00:21:06,000 --> 00:21:10,000 She got on the police car microphone and started talking to her brother over the loudspeakers. 376 00:21:10,000 --> 00:21:15,000 Word was passed to the special detail of men from the fire department's rescue squad standing by on the roof of the building. 377 00:21:15,000 --> 00:21:19,000 They went to work. Captain Steed went up to the roof to see if he could assist them. 378 00:21:19,000 --> 00:21:25,000 Ben and I waited in the office on the 13th floor. The nurse, Miss Lenahan, and Gene Bechtoe were with us. 379 00:21:25,000 --> 00:21:31,000 One fifty-seven p.m. The men on the roof started to lower the man from the rescue squad in the rope sling. 380 00:21:31,000 --> 00:21:39,000 He held a double-strength lasso in his hand. The end of it was wrapped around his body and tied securely. Ben and I watched from the window. 381 00:21:39,000 --> 00:21:48,000 We looked along the narrow ledge. Walter Harrison stood erect and motionless, an open pocket knife in one hand, his feet poised in the brink of a thirteen-story jump. 382 00:21:48,000 --> 00:21:53,000 The voice of Harrison's sister drifted up from the loudspeakers down on the street. 383 00:21:53,000 --> 00:22:10,000 Walter? This is Ruth, Walter. Can you hear me? This is Ruth. I want you to come home with me, Walter. Please. You've got to understand. 384 00:22:10,000 --> 00:22:13,000 Sister's doing all right. Finish it for sure if it looks up. 385 00:22:13,000 --> 00:22:14,000 Yeah, sure will. 386 00:22:14,000 --> 00:22:22,000 There's nothing wrong. No one's going to hurt you. We want to help you, Walter. Please. 387 00:22:22,000 --> 00:22:25,000 I can't see, Jill. They're letting the man down? 388 00:22:25,000 --> 00:22:26,000 Yeah. Coming slow. 389 00:22:26,000 --> 00:22:41,000 There's nothing to be afraid of. You know that, don't you? Come home with me, please. I'll take care of you. I'll see that you're safe. That you're all right. 390 00:22:41,000 --> 00:22:44,000 Jill, how's Harrison doing? Can you see? 391 00:22:44,000 --> 00:22:46,000 Yeah. He's looking down. Not moving at all. 392 00:22:46,000 --> 00:23:01,000 Nobody's going to hurt you, believe me. These people are your friends. They want to help you. Can you hear me, Walter? They want to help you. 393 00:23:01,000 --> 00:23:02,000 That's it. 394 00:23:02,000 --> 00:23:03,000 What? 395 00:23:03,000 --> 00:23:20,000 He's looking down on the rope. He's just above Harrison now. They're your friends. You can trust me, your sister Ruth. You've got to trust me, Walter. I want to take care of you. I want to take you home. 396 00:23:20,000 --> 00:23:28,000 Yeah, I see the man now. He's right above me. Got the lasso ready. 397 00:23:28,000 --> 00:23:29,000 Keep your fingers crossed. 398 00:23:29,000 --> 00:23:31,000 What is it? What's happening? 399 00:23:31,000 --> 00:23:34,000 A lasso. He's throwing it. 400 00:23:34,000 --> 00:23:36,000 Get him away from me! 401 00:23:36,000 --> 00:23:37,000 Missed, Joey, missed! 402 00:23:37,000 --> 00:23:39,000 Walter, wait a minute, Harrison! 403 00:23:39,000 --> 00:23:43,000 No, I didn't lie! Get him away from me! Get him away from me! 404 00:23:43,000 --> 00:23:45,000 Pull that man up! Pull him out of the way! 405 00:23:45,000 --> 00:23:47,000 Don't spill on the ledge. I'm going out. 406 00:23:47,000 --> 00:23:51,000 Joe, wait a minute. It's only a chance. Why don't you get him mad at you? Say anything and insult him. 407 00:23:51,000 --> 00:23:52,000 Well, I'll try. 408 00:23:52,000 --> 00:23:55,000 Anything to make him go for you. If you can get him down to this window, I can grab him. 409 00:23:55,000 --> 00:23:57,000 If I get him by the window, I'll hold on to him, huh? 410 00:23:57,000 --> 00:24:01,000 Yeah, when you grab him, try to lean as close to the building as you can. 411 00:24:01,000 --> 00:24:03,000 There's not much to lean on the other way. 412 00:24:03,000 --> 00:24:07,000 One-fifty-nine p.m. I got through the window and out onto the ledge. 413 00:24:07,000 --> 00:24:10,000 The crowds jamming the streets below had swollen to almost twice their size. 414 00:24:10,000 --> 00:24:17,000 A few blocks away, the big clock on the side of the Hobart building read five minutes to two, but Harrison wasn't looking at it. 415 00:24:17,000 --> 00:24:20,000 He still had his eyes fixed on the pavement thirteen stories beneath us. 416 00:24:20,000 --> 00:24:23,000 He torn off his collar and his shirt was ripped open with a neck. 417 00:24:23,000 --> 00:24:28,000 He waved his arms and shouted at the crowd below as he tottered along the ledge toward the corner of the building, 418 00:24:28,000 --> 00:24:31,000 away from the window that I was supposed to lure him into. 419 00:24:31,000 --> 00:24:35,000 In his right hand, he still held onto the open pocket knife. 420 00:24:35,000 --> 00:24:39,000 You're not going to get your hands on me. You're not even going to get close. 421 00:24:39,000 --> 00:24:41,000 Wait a minute, Harrison. Watch it. 422 00:24:41,000 --> 00:24:46,000 You watch me, mister. I'm going to jump right through them down there. 423 00:24:46,000 --> 00:24:47,000 Those dirty animals, you just watch. 424 00:24:47,000 --> 00:24:51,000 All right, wait a minute. I got a message for you from your sister Ruth. 425 00:24:51,000 --> 00:24:52,000 Now, do you want to hear it? 426 00:24:52,000 --> 00:24:56,000 I want to get your hands on me. None of you. I'll see you later. 427 00:24:56,000 --> 00:25:00,000 You're a phony, Harrison. You're a phony liar. 428 00:25:00,000 --> 00:25:01,000 I'm a what? 429 00:25:01,000 --> 00:25:03,000 You don't hurt me. You're not kidding anybody. 430 00:25:03,000 --> 00:25:07,000 You don't think I can jump, huh? Well, you just watch. 431 00:25:07,000 --> 00:25:09,000 Anybody can jump. Any phony can do that. 432 00:25:09,000 --> 00:25:10,000 Right? 433 00:25:10,000 --> 00:25:14,000 It doesn't take anything. Those animals down there in the street, any one of them could do that. 434 00:25:14,000 --> 00:25:15,000 You're just like one of them. 435 00:25:15,000 --> 00:25:20,000 I've still got this knife. I've used it before. I can kill. 436 00:25:20,000 --> 00:25:22,000 You can kill anything. You haven't got the guts. You're a phony. 437 00:25:22,000 --> 00:25:27,000 You're a liar. You're a rotten liar. I can cut you to pieces. 438 00:25:27,000 --> 00:25:29,000 Oh, you talk big, Harrison, but you're all talk. 439 00:25:29,000 --> 00:25:31,000 I can cut you to pieces. 440 00:25:31,000 --> 00:25:33,000 You haven't got me fooled, mister. Not for a minute. 441 00:25:33,000 --> 00:25:35,000 I'll cut you to pieces. 442 00:25:35,000 --> 00:25:38,000 You haven't got half the nerve. You're a phony and you know it. 443 00:25:38,000 --> 00:25:44,000 You're a rotten liar. You stand still. Go on. You stand still and I'll show you. 444 00:25:44,000 --> 00:25:47,000 Oh, you talk a real good game, but that's about all. You're all talk. 445 00:25:47,000 --> 00:25:51,000 I'll show you. I still have my knife and I'll kill you right now. 446 00:25:51,000 --> 00:25:53,000 Yeah, sure you will. 447 00:25:53,000 --> 00:25:55,000 You're backing away. You're afraid. 448 00:25:55,000 --> 00:25:58,000 You're a phony, Harrison. Nobody's afraid of a phony. 449 00:25:58,000 --> 00:26:00,000 Cut you a cut. 450 00:26:00,000 --> 00:26:05,000 I'm waiting for you. Come on. What's the matter, Harrison? 451 00:26:05,000 --> 00:26:11,000 You're not, you're not waiting. Stay still and stop backing away. Now stop. 452 00:26:11,000 --> 00:26:13,000 I tell you, you come and get me, huh? 453 00:26:13,000 --> 00:26:17,000 Haven't you got enough nerve? And you're just talking again. All talk, huh? 454 00:26:17,000 --> 00:26:24,000 That window. You've got to stop by the window and then I'll cut you to pieces. 455 00:26:24,000 --> 00:26:26,000 All right, Harrison. 456 00:26:26,000 --> 00:26:30,000 Here. Now you go ahead. Prove you're a phony. 457 00:26:30,000 --> 00:26:34,000 You're a liar. I'll show you. 458 00:26:34,000 --> 00:26:37,000 You rotten liar. 459 00:26:37,000 --> 00:26:39,000 All right, Warren. Now drop it. Drop it. 460 00:26:39,000 --> 00:26:43,000 I'll cut you to pieces. 461 00:26:43,000 --> 00:26:44,000 Drop it. Drop it. 462 00:26:44,000 --> 00:26:47,000 Don't look out. Grab them. They're going to fall. 463 00:26:53,000 --> 00:26:55,000 Well, how close can it get? 464 00:26:55,000 --> 00:26:57,000 Here. Nurse? 465 00:26:57,000 --> 00:27:01,000 That was just wonderful, Sergeant. Both of you. Are you all right? 466 00:27:01,000 --> 00:27:05,000 Yeah, fine. Would you mind getting Captain Sneed for us, please? You know who he is. 467 00:27:05,000 --> 00:27:10,000 I'll be right away. 468 00:27:10,000 --> 00:27:14,000 Well, that was a rough one. 469 00:27:14,000 --> 00:27:18,000 Yeah, Dan. It looked like you were both going over the side. 470 00:27:18,000 --> 00:27:19,000 Yeah. 471 00:27:19,000 --> 00:27:21,000 Thought I'd lost you, Joe. 472 00:27:21,000 --> 00:27:23,000 Well, you didn't have to worry. 473 00:27:23,000 --> 00:27:24,000 No? 474 00:27:24,000 --> 00:27:26,000 No. You told me which way to lean. 475 00:27:26,000 --> 00:27:29,000 The story you have just heard was true. 476 00:27:29,000 --> 00:27:32,000 Only the names were changed to protect the innocent. 477 00:27:32,000 --> 00:27:36,000 On September 10th, a sanity hearing was held at the County Hospital Psychopathic Ward, 478 00:27:36,000 --> 00:27:39,000 City and County of Los Angeles, State of California. 479 00:27:39,000 --> 00:27:41,000 In a moment, the results of that hearing. 480 00:27:41,000 --> 00:27:43,000 Now here is our star, Jack Webb. 481 00:27:43,000 --> 00:27:44,000 Thank you. 482 00:27:44,000 --> 00:27:47,000 Friends, there's one big difference in long cigarettes, 483 00:27:47,000 --> 00:27:50,000 and here's the one sentence that tells the full story. 484 00:27:50,000 --> 00:27:52,000 Jack, you're a great man. 485 00:27:52,000 --> 00:27:57,000 There's one big difference in long cigarettes, and here's the one sentence that tells the full story. 486 00:27:57,000 --> 00:27:59,000 In Fatima, the difference is quality. 487 00:27:59,000 --> 00:28:03,000 That's why this headline is being featured in leading national magazines. 488 00:28:03,000 --> 00:28:10,000 Yes, these new Fatima full-page color ads are another proof of Fatima's fast-growing popularity. 489 00:28:10,000 --> 00:28:15,000 More long cigarette smokers are insisting on Fatima quality than ever before. 490 00:28:15,000 --> 00:28:20,000 Now, if you're a long cigarette smoker like I am, buy a pack of extra-mild Fatimas. 491 00:28:20,000 --> 00:28:26,000 You'll find, as I have, that Fatimas now cost the same, but in Fatima, the difference is quality. 492 00:28:26,000 --> 00:28:40,000 After being examined by six psychiatrists, Walter John Harrison was judged mentally incompetent. 493 00:28:40,000 --> 00:28:44,000 On his sister's request, he was committed to a private sanitarium. 494 00:28:44,000 --> 00:28:55,000 Seven months later, Harrison took his own life by hanging. 495 00:28:55,000 --> 00:29:00,000 You have just heard Dragnet, a series of authentic cases from official files. 496 00:29:00,000 --> 00:29:15,000 Technical advice comes from the Office of Chief of Police, W.H. Parker, Los Angeles Police Department. 497 00:29:15,000 --> 00:29:29,000 Fatima cigarettes, best of all long cigarettes, has brought you Dragnet, portions transcribed from Los Angeles. 498 00:29:29,000 --> 00:29:39,000 The People is next with stories of today on NBC.